Monday, 19 September 2016

Collateral analysis

Collateral




Editing:
- low-speed, continuity editing to start with.
- cross-cutting when it cuts to the taxi ranks.
- montage of cars show how hectic it is but there is a contrast with the man who is very orderly and under control, this is shown through a montage of all his actions, cleaning the car, checking the lights etc.
- match on action, car lights flashing.

Camera:
- shallow depth of field at start, meaning all other people are blurred apart from the two main guys.
- the camera mainly shows Cruise which gives us his point of view.
- many shots of the surroundings, setting the scene.
- long shot of the taxi rank giving us an idea of what is happening.

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